Random Number Lit

 I felt the snake bite here of wandering to far afield from the original intention of this project. I had a very underdeveloped list of ancient writings in one of the segments of the Small Works List. Because of this, I thought that I should find some way of coming to terms with this lacking in the list and find a way to fold in a more robust catalog of the literature of the ancient world. I have studied Christian theology and Church history at the graduate level and so I thought I might have some sense of what might be hiding behind this veil but I was woefully mistaken at my purchase into this arena. I was confronted by this with the issue of simply getting my hands on a readable copy of this text.  I am not sure where I went to flesh out these category, but I had a smattering of readings especially from Ancient Egypt on the same list as the Greeks. The time frame that these things exist in are as far away as modern American writings are from early Christian writings and so I don'

 I hope that this project does not totally spin out of control with the endless introductions of new lists. I don't know how The Lamentation of the Destruction of Ur got on my list. I imagine at one point I was skimming through the Norton Anthology of World Literature and there is some slight reference to it which may have been enough to prompt me to add it to an Ancient Literature list. I have no idea but I thought to add it as an Anonymous entry and leave it for 35 years from now. Now that I am a year into this project, many books and research questions have been asked I pull this strange text out of the ether and I confront it head on.  One of the challenges of selecting books based off of their titles alone is that many times there is not a collected, singular volume of a text available that I can simply buy online, listen to an audiobook version of and move along. This text was written somewhere between 2112 B.C. and 2004 B.C. according to Wikipedia (which seems younger than I

The next entry I pulled from the Small Works List was from what feels like the most popular list on that spreadsheet, the World Literature List 1000 to 1600. I have only pulled one other name at this point on the list but I have consistently been involved with World Lit from around this time period pretty consistently. Kadambari was on the list just before this one as well as Ki No Tsurayuki. The crazy thing is the connection between this text and Guaman Poma.    The Huarochiri Manuscript represents a strange node in the make up of this history of this time period, and also happens to be the second indigenous authored text from the same region and the exact same time period. So, let me lay this out for a second. Guaman Poma is one of the only native Incan authors in the historical record. Guaman Poma’s 1200 page letter to King Phillip III was lost for hundreds of years as it was accidentally stored in the Royal Danish Library. Guaman Poma would have written his “letter” in 1615-1616.

“Japanese poetry has the human heart as seed and myriads of words as leaves. It comes into being when men use the seen and the heard to give voice to feelings aroused by the innumerable events in their lives” (Tsurayuki 3).   I don’t usually include long quotes in this newsletter but I really love this quote and think about it often as I reflect on reading this text. It is not often the case that when I pull a work a name off the Small Works list that someone I know has intimate knowledge of their work. I know someone through a friend who grew up in Japan, and interacted with Ki No Tsurayuki in their education in high school. I have still connect at a deeper level about this work but they pointed me in the right direction with this author, and I set out to read some of the Kokin Wakashu which Tsurayuki was responsible for compiling. In addition to beginning the work of compiling all of the requisite Japanese poetry at the time, in the ‘waka’ style of poetry, Tsurayuki also wrote the p

Knut Hamsun sprung off the list like a loaded gun. I can’t tell you just how electric this text is and how much of a change of pace this novel is from the works that I have been reading lately. The difference between a Tolstoy or a Burke is from a Hamsun is like a Cadillac and a Ferrari. Both are cars, but one does a lot of different things than the other. Hamsun’s writing is deeply engrossing but in a way that is disorienting and alarming at once. Similar to Huxley’s writing, the chaos of the moment with the use of soma and the sanctioned time of the group sex, the pressure just builds and builds but there is a kindness in that text that feels like it is going somewhere that you know that the brakes aren’t on now but will be clamping down soon. Hamsun did not have that same level of assurance. The momentum of this novel just builds and builds and builds until the moment of the crisis hits, and you are not sure you are in calm hands until the very, very end. Like reading Kafka, there i

  Fresh off the reading of Aldous Huxley’s Brave New World a 20 th century dystopian future that is all about pleasure and infantilizing the populace so that they never question the developments of society, I read the ancient thing, Aeschylus’ Oresteia . Couldn’t have been any more perfectly arranged.  Aeschylus, apparently, is the oldest of the Greek playwrights. The Oresteia is the crowning achievement for this period. The Oresteia is written in a trilogy of short plays, the first being Agamemnon, the second being The Libation Bearers , and the last The Furies . I bought a copy of this text so that I could see it on the page.   Translator’s Corner – I was first introduced to classic literature at the young age of 15 when I was challenged by an English teacher to read The Odyssey over the summer. I did so and fell in love with classic literature since then. The translation that I picked up at the time was Robert Fagles. I may end up rereading the Odyssey for

I don’t have a ton to say at the moment about Edmund Burke. I would like to avoid making this publication tinged with the concerns of today. I will be writing this document for perhaps the next 35 years, if I live until I am 70 and so there will be several different epochs of the context that surrounds this document. When I first pulled Edmund Burke’s name, many recent texts popped up that deal with his writing. Most of these texts include Burke in the current debate about conservative politics in America. This may be true, but this is not going to be the focus of my interest in Burke. Because I would not characterize myself as a conservative, there is a certain bit of intrigue that wants to really dig in here and see where that vein goes, but I chose instead to refocus on something directly of interest.   I began reading Burke’s Reflections on the Revolutions in France because it was the first thing that popped up on Audible and I listened to perhaps the first 2 or 3 hours of that d

 This book is not what I expected. I talked with an administrator at my college about this book recently, and he told me that it was the first book he was assigned to teach when he started teaching high school English. He may have said he had to teach it to freshman. That seems remarkable to me. There is so much sex in this book. While there is no sex depicted explicitly on the page – this entire society revolves around sexual gratification for sex sake because it is no longer tied to reproduction. There is a deeply conservative heart beating behind the pages of this book. I don’t often do this but I found an interview with Huxley from the 60s after I finished this book because I wanted to get a sense of the man as I was mulling over his ideas in the book.   I will say this first, the whole book leads to a final conversation between the Savage and the regional World Controller which is delightful and sort of the glorious "accuse your gods" moment that a certain subset of fict

  I picked Treasure Island much like I picked The Nickel Boys because the two books I have with me right now, Kadambari and Lanark do not have audiobook versions that I can engage with easily. Both of them, as I get into these books more in-depth, would be impossible to process while listening to because they are intensely complex documents. That being said, I have two situations in which I have an unreal amount of time to process audio content, I have a long drive once a week and two days a week of low impact manual labor (because my life is strange) and so I needed something to listen to. In order to continue the prospect of this challenge, I decided to pull up Audible and in the spirit of how this project started, I let the fine folks of Audible “Included in Membership” team pick for me what would be the next book I listened to.   The first title in that section of free, well produced audio classics was a dramatic reading of Treasure Island . I started listening to this text in t

 I saac Newton (Small Works List) Let me tell you something from the jump here, I am not a scientist. I pulled the name Isaac Newton from the Small Works List because, you know, whatever and I called an astronomer that I know, Stephen Case, and asked him what do I have to read to get to know Isaac Newton. Newton wrote prolifically in his life, but the main thing he wrote was the Principia which is a 400 page ancient math text book. I thought I might read this. He said no. He gave me an abridged version that breaks it down into his physics stuff which was 70 pages. I read 20 pages of this and stopped. I am not a physics person. I then found a copy of the Principia whose whole edition is 900 pages long with 400 of which the manuscript itself. I looked at every page of this text for longer bits of prose in between the math stuff. This was still impenetrable. I found two sections worth reading, one the Scholium in between Book 2 Section 6 and 7. Here he talks about how he se

  A call the section on the Big Book List that are full of Anonymous authored texts largely derived from the Penguin classics list - the Anonymous Forest! Other pulls from that second on the list, Njal’s Saga (before I started doing the newsletter).   Going into this text, I have read The Life of Anthony in seminary so I counted that text completed here, and so I had some texts from Jerome to read and a few others. These writings were leaps and bounds more interesting to read than Voragine, sorry for the hate old guy - but Jerome is a much better writer. I will keep this section short as well, I enjoyed reading these biographies rather than hagiographies. The story of Anthony’s coat comes back in Jerome account of the life of Paul of Thebes. Apparently, Anthony thought that he was the first hermit, but someone tells Anthony of Paul of Thebes, so Anthony (in Paul’s story) sets off to find him.  A Centaur in the desert gives Anthony directions. Anthony finds Paul of Thebes

  I pulled Willa Cather’s name from the Small Works List probably because a short story most have been featured in one of the anthologies I scavenged for names. This is one reason why I love to have the Small Works List as a part of this project, but it gives me at least two cracks at an author of the stature of Willa Cather. I asked a friend of mine who is an American Lit professor which book to read from Cather because her writing is just inside that which he knows a great deal about. From this time period, he is probably more familiar with Faulkner and was the person who recommended that I read Go Down, Moses when I got to that text earlier in the year. I was glad for that and so I asked him what to read again. He said that he had read My Antonia recently but had always wanted to read Death Comes for the Archbishop . I decided to read My Antonia because I had read One of Ours for the Pulitzer project years ago, and I have Death Comes for the Archbishop on the Big

  This is on the Big Book List which is apt in this case because it is a very big book, coming at almost 700 pages. So, get this, a 700 page Victorian gothic romance novel - not my cup of tea I might imagine, but surprise surprise, I loved this book. I am going to keep this section short because I have a lot to talk about this week but the love story between Emily St. Aubert and Valancourt was entrancing. I was all the way at one particular moment, when Montoni takes Emily and her aunt with him to Udolpho though we don’t know what to expect there, Radcliffe writes this very honest moment about the aunt’s regret at this endeavor as sort of a humility and self-awareness that the aunt had planned to con Montoni because she wasn’t as wealthy as he had hoped and also the aunt knowing that Montoni was also a scoundrel and they they sort of deserved each other but Emily did not deserve either of them was a breath-taking turn of writing and logic and pathos. I was hooked for

 I went on a roller coaster ride with this pick. As it is often said about the Small Works List, I have no idea where this name came from or in what context it was meant to be read. I imagine if I went back to find where I found this name it would be from the Norton World Literature Anthology and it would be a short clipping of the incident that this whole text swirls around. What I find enchanting about this idea is that it sort of places as the fulcrum of Korean history this family drama and from the locus of this event there is a father and son struggling to understand their humanity together, the nature of good and evil is being wrestled with and the hope of a family and a nation hang in the balance of one simple act. Memoirs of Lady Hyegyong   When I pulled this name in the Henri Michaux  Youtube Video , I was a 0% knowledge of who this person was, I didn’t even know how to pronounce the name and did not try in that recording. I watched a few Youtube videos to get a sense of it. I